Ok so I finally made it to the new Whitney Museum. Way more conveniently located (for me) at the last stop of the L train, but for some reason, the new meat packing locale been far more elusive than the museum’s previous Upper East Side location. It was the Biennial that finally reeled me in… And I found the show to be full of work that speaks to what I feel is one of the most important issues facing us today– that of intersectionality, and the overlapping layers of our combined, shared but very different histories on this Earth.

This photo is jut a detail, but Aliza Nisenbaum’s monumental portrait of a diverse group of women meeting to address the urgent plight of immigrants (MOIA’s Women’s Cabinet, 2016) spoke to me personally as I think of the work I’ve been doing with the Women’s March organizers and of how much power a group of women can have if they choose to wield it. It is an image of hope and strength in a time that seems to be full of dark clouds.

You should all go to see the show– as usual there is a lot of work to look at, to think and argue about, to question and to enjoy. The Whitney Biennial is nothing if not guaranteed food for thought.

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Yesterday, at some point is a series of photographs that describe a moment I experienced during the previous day (or some point in the very recent past). The posts are meant to be stand alone images, though at times I can’t control myself, and I end up expanding the caption into a more lengthy bit of text. Hopefully the extra information is useful, or at least interesting.